Jacob A. Loewen's recent book The Bible in Cross-Cultural Perspective covers a multitude of subjects—heaven, earth, the afterlife, the spirit world, exorcism, among them. Of particular interest to Priscilla Papers readers is chapter 9, "Images of God: Male, Female, or Both" (pp. 109-16). It is packed with wonderful information regarding inclusive language.
This interdisciplinary volume of text and art offers new insights into various unsolved mysteries associated with Mary Magdalene, Mary of Bethany, Mary the Mother of Jesus, and Miriam the sister of Moses.
Seventeen essays explore how the biblical Miriam, Mary the mother of Jesus, Mary of Bethany, and Mary Magdalene were portrayed in the early Christian era, also touching on Jewish and Muslim interpretations.
This book reveals new early Christian evidence that Mary was remembered as a powerful role model for women leaders―women apostles, baptizers, and presiders at the ritual meal. Early Christian art portrays Mary and other women clergy serving as deacon, presbyter/priest, and bishop.
Mary, Mother of Jesus, has been the focus of much piety and theology down the centuries, and whatever it is she represents has been and remains central to the vitality of Christianity in many parts of the world.
Grace is Not Faceless focuses on Mary, mother of Jesus: her presentation in Scripture and reception throughout church history, with careful attention to the poetry of Isaiah and that of subsequent writers.
The FNV is a dynamic equivalence translation that captures the simplicity, clarity, and beauty of Native storytellers in English, while remaining faithful to the original language of the New Testament. Whether you are Native or not, you will experience the Scriptures in a fresh and new way.
The First Nations Version is a phenomenal work. It is poetic, beautiful, and striking time and again. It captures the feel of hearing God's word spoken, and it corrects some mistakes other translations make.
In this book Debbie Blue looks closely at Hagar (mother of Islam), Esther (Jewish heroine), and Mary (Christian matriarch)—and finds in them unexpected and inviting new ways of navigating faith and life.