Women in the Church is a dangerous book which should not have been published because, while it appears to be scholarly, it actually teems with historical and theological errors and also emotional subjectivity. Alan G. Padgett has provided a critical rebuttal to Women in the Church in the Winter 1997 issue of Priscilla Papers.
Groothuis clearly defines and describes Evangelical Feminism in contrast to other forms of feminism and in distinction from "traditionalism." Two other areas treated in the book make significant contributions from my point of view. One is the historical evidence that the church has accepted in its view of the role of women from the culture, rather than constructing a truly biblical view. The second is the role that Satan plays in restricting women's use of their Spiritgiven gifts in ministry to the church and to the world.
“The purpose of the stories about biblical mothers falls on literary and socially deaf ears unless they mean something to twenty-first-century mothers,” Stephanie Buckhanon Crowder writes in When Momma Speaks. This is the essence of Crowder’s mission: to forge a story connection between biblical mothers of color and modern African American mothers.
As Christian women confront the complex (and often negative) baggage carried by the word "feminist" today, these women can often feel ill-equipped to sort out the many social and theological issues regarding women's roles.
Gary Hoag revisits the topic of wealth in the letter of 1 Timothy, asking whether the teachings found there are consistent or inconsistent with other teachings in the NT, or whether it might be a mixture of the two. Scholars are divided on this question. Hoag’s findings rest on cross-referencing the terms in 1 Timothy with a novel, Ephesiaca by Xenophon of Ephesus.
Too Heavy A Yoke is an important and accessible resource for understanding the ways in which racism and sexism—both historical and contemporary—impacts the lives of black women. I finished the book with a much better understanding of the historical and contemporary social pressures on constructions of black womanhood.