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Many of us were raised in churches that taught that women should be silent in the church because of the teachings of Paul in 1 Corinthians 14:34. When we read the passage, sure enough, we see the following words on the pages of the Bible, “Women should remain silent in the churches. They are not allowed to speak…” "If women want to inquire about something,” Paul continues in verse 35, “they should ask their own husbands at home; for it is disgraceful for a woman to speak in the church.”

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This article maintains that the interpolation hypothesis sets a dangerous precedent for textual scholars who evaluate manuscripts.

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1 Corinthians was written to a woman. Yes, it was also to the Christians of Corinth. But it was prompted by a woman and her concerns about Christian life in Corinth.

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We invite you to journey with our writers as they rediscover Mary through theology, personal reflection, and real-world experiences with those who can give us insight into Mary.

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Since the middle of the twentieth century there has been an ongoing, sometimes acrimonious debate over the meaning of “head” (Greek, kephalē) in Paul’s letters, especially 1 Corinthians 11:3 and Ephesians 5:23. This article is an attempt to review the most significant scholarly literature that has emerged in the debate and to summarize each without critique. 

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First Corinthians presents Christian women with a time to speak, not a time to be silent.

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Christianity began when an angel showed up at a young, unwed girl’s house, announcing that she’d been honored with the privilege of carrying a baby boy—a boy who would become the hope of the nations. God chose a young, unwed mother to be mother of the One who would usher in an upside down kingdom, a kingdom where God esteems people quite differently than humanity ever has before.

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Alan Johnson's work on 1 Corinthians is particularly engaging. His reference notes and bibliography provide an entry into further study if desired, all while maintaining an appealing readable style. He deftly bridges the two horizons of the Greco-Roman culture and American culture.

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Apollos and Aquila, as well as Luke who records this story, do not appear to be in any way concerned that Priscilla, a woman, took the lead in ministering to Apollos, a man.

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Luke 1:46–55 is both a beautiful hymn sung to glorify God and an interpretive puzzle. This text, widely known as the Magnificat, is one of several songs Luke uses at a crucial moment in the birth narratives in order for characters to explain the amazing ways in which God is moving. Luke includes it in his narrative to foreshadow the ministry of reversal Jesus will bring, first to Israel and eventually to all people. It is a praise hymn made up of a combination of OT allusions—more specifically, allusions to the Greek translation of the OT commonly referred as the Septuagint and abbreviated LXX. What follows is a study of the LXX allusions that combine to make up this praise hymn—allusions which have the cumulative effect of presenting Mary as a key character in the continuation of God’s OT promises and plan.

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