In a conversational, no-nonsense approach to a controversial issue, 10 Lies the Church Tells Women discusses 10 traditional ideas many Christian churches have used to claim the Bible restrains women from leadership.
In her book, 7 Deadly Sins of Women in Leadership, Kate Coleman outlines what she believes are the seven most destructive behaviors that women in leadership succumb to: limiting self-perceptions, failure to draw the line, inadequate personal vision, an unhealthy work-life rhythm, the ‘disease to please,' colluding instead of confronting, and neglecting family matters.
This book makes a distinct contribution to the current literature on biblical teachings about men and women in marriage and as co-workers in the service of Christ. The three strands in Wright's book refers to man, woman, and God.
Julia Kavanaugh, an Irish Roman Catholic, was a Victorian novelist and biographer. Her book "Women of Christianity" offers the earliest survey of women’s lives in the Christian tradition. This text refutes the frequent charge of trendiness of egalitarianism, as it was written 150 years ago. It confronts male-dominated history (“great events, dazzling actions”) as pagan and transcends the “wearisome similarity” often depicted in saints’ lives. Finally, her book invites connections with contemporary feminist texts.
This lecture draws from the latest leadership literature to make a compelling case for the importance of advancing more women into leadership by addressing both internal and external deterrents. It also examines what works to overcome the "stained glass ceiling" by enhancing women's leadership self-efficacy, particularly within Christian subcultures.
This responsible analysis of Africa's presence in the Bible should be must reading for all thinking Christians who want to deepen their knowledge of the ethnic equality of Christians throughout the ages and in particular the true presence of Africans in our sacred Scripture.
When pondering the nature or essence of being, we consider topics such as whether or not men and women are fundamentally different. However, in society and the church, this conversation has historically excluded women of color—particularly black women—who were often considered subhuman. Through a combination of storytelling and practical tools, participants will learn more about what it is like to be made in the image of God as a black woman in a society and Christian context that refuses to acknowledge that the imago Dei resides in her.
Dharamraj reads the Song of Songs intertextually with the prophetic texts; within a literary culture, texts grow out of a shared linguistic, aesthetic, and ideological substratum, and then influence the interpretation of each other when they are read together.