Snow falls gently like little promises accumulating over the years,
piling into great mounds of failed commitment.
Too large to ignore,
it stands grim sentinel in the chill of resentment,
but it slowly melts away under the sunshine of mercy.
In you I find peace my Lord
In you I find strength my God
I find contentment resting in Yahweh’s arms
Desires of the flesh consume me
They block out the light from Yahweh’s face
Until I find myself lost in an all too familiar place
I’ve heard this Siren song before, calling me,
Calling me further into the darkness
Where the face of my Savior is shrouded
Luke 1:46–55 is both a beautiful hymn sung to glorify God and an interpretive puzzle. This text, widely known as the Magnificat, is one of several songs Luke uses at a crucial moment in the birth narratives in order for characters to explain the amazing ways in which God is moving. Luke includes it in his narrative to foreshadow the ministry of reversal Jesus will bring, first to Israel and eventually to all people. It is a praise hymn made up of a combination of OT allusions—more specifically, allusions to the Greek translation of the OT commonly referred as the Septuagint and abbreviated LXX. What follows is a study of the LXX allusions that combine to make up this praise hymn—allusions which have the cumulative effect of presenting Mary as a key character in the continuation of God’s OT promises and plan.