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As I reflect on Genesis 3:16, “I will make your pains in childbearing very severe,” I realize that barrenness, miscarriage, and stillbirths are part of that curse; the ability to be “fruitful and multiply” would be hindered for both genders and on many levels.

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Traditional Jewish and Christian interpretations of the early chapters of Genesis have led to the heaviest blame often falling on Eve for the entrance of sin and death into the world... Faulty interpretations of many Bible texts concerning women foster the low status, oppression, and abuse of women the world around, which is one of the greatest social evils.

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Luke 1:46–55 is both a beautiful hymn sung to glorify God and an interpretive puzzle. This text, widely known as the Magnificat, is one of several songs Luke uses at a crucial moment in the birth narratives in order for characters to explain the amazing ways in which God is moving. Luke includes it in his narrative to foreshadow the ministry of reversal Jesus will bring, first to Israel and eventually to all people. It is a praise hymn made up of a combination of OT allusions—more specifically, allusions to the Greek translation of the OT commonly referred as the Septuagint and abbreviated LXX. What follows is a study of the LXX allusions that combine to make up this praise hymn—allusions which have the cumulative effect of presenting Mary as a key character in the continuation of God’s OT promises and plan.

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If you are a conservative Christian, you may be worshipping at the altar of Baal. A conservative is anyone who wants to preserve the existing social order. While a conservative Christian may identify himself or herself as one who safeguards the orthodoxy of Christian doctrine, often there is also blind allegiance to customs having no divine sanction.

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Like Mary the Mother of Jesus, Christian men and women are called to bring Christ to the world.

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Like many other biblical texts, Gen 17:15–16 invades our worldview and reminds us that God sought out covenant partners—both male and female—to bring blessings to all the nations.

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This paper argues that a close reading of Deborah's story and song reveals an ’eshet hayil, a “woman of valor” (cf. Ruth 3:11, Prov 12:4, 31:10). This is evident not only in the direct references to her, but also in the narratives regarding her associates Barak and Jael.

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Men and women struggle to understand each other and to thrive together as God intended. God’s design of an Edenic relationship where the male and the female together nurture and steward the earth rarely seems to happen. 

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The creation accounts in Genesis 1–2 are beautiful accounts of the interdependence of man and woman and the unity and partnership that they share.

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This article has shown that the Gen 3:15 Edenic covenant began in the Garden with the woman. It was then initially fulfilled with Deborah and Jael in Judg 4 and 5. Indeed, the Jael story actualizes the Gen 3:15 promise.

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