Women's History Month is all about focusing on the ways women have been intregral players in history, whether we know about them or not. It's also a good time to stop and take note of our reading (or listening or watching) habits in terms of gender. Who are you reading regularly? Do you need to put some diversity in your to-read list?
My dad showed me that a great father, like a good man, is defined not by strength, but by tenderness. A great father doesn’t run from his feelings, but knows and communicates them. He is fully invested in the nurturing of his children.
We wanted to gather a variety of voices in a conversation about the past, the present, and the future of the egalitarian movement. But I’d like to take a brief moment to begin to imagine where we might go in the future.
Two years ago, I made friends with a woman in another state via social media. We communicated through Facebook and Instagram, and sometimes on Twitter. She was thoughtful, caring, and generous. She wrote about her children, her family, and the ways God was working in her life. She has several kids, and always seemed to be laughing about the ups and downs of raising a big family. I admired her, was maybe even a little jealous of her overflowing life.
We’d like to thank all the gifted writers who participated. Thank you for being brave, vulnerable, and gutsy with your stories and insights. Thank you for being way-criers for peace, healing, justice, equality, and freedom. We honor your gifts, stories, and courage.
Luke 1:46–55 is both a beautiful hymn sung to glorify God and an interpretive puzzle. This text, widely known as the Magnificat, is one of several songs Luke uses at a crucial moment in the birth narratives in order for characters to explain the amazing ways in which God is moving. Luke includes it in his narrative to foreshadow the ministry of reversal Jesus will bring, first to Israel and eventually to all people. It is a praise hymn made up of a combination of OT allusions—more specifically, allusions to the Greek translation of the OT commonly referred as the Septuagint and abbreviated LXX. What follows is a study of the LXX allusions that combine to make up this praise hymn—allusions which have the cumulative effect of presenting Mary as a key character in the continuation of God’s OT promises and plan.
One of my friends works in Christian ministry at a large, secular university. She is passionate about Christ; she is a gifted teacher, preacher, and apologist. Her tenacious use of her spiritual gifts, her holiness, and her love for others is a model to us all. She said to me once, “Mimi, do you realize that my church spends thousands of dollars so I can lead college students, both men and women, to Christ, yet they won't let me preach from the pulpit because I am a woman? This is not only inconsistent, it says to me that there is something wrong with being female!” Her logic was compelling, and yet her experience may explain a sad phenomenon.
As many of you know, I served as the convener of the Gender Forum at what is considered the most important missions organization for evangelicals: the Lausanne Conference for World Evangelization (LCWE). Because I value the work of Lausanne as much as I cherish the leadership of Lorry Lutz (my co-convener), I knew God was leading CBE into an important opportunity!