Paula Gooder presents an imaginative telling of the life and ministry of Phoebe. She states that her purpose in writing this story is not simply to provide an entertaining novel, but also to inform readers of the reality behind the NT text.
Intellectually we know God is beyond gender; however, using only masculine pronouns sends image-shaping messages to our hearts and minds that are incorrect. By neglecting the feminine imagery for God, we have distorted our understanding of God.
Ruth Hoppin has spent decades researching Adolf Harnack's hypothesis that Priscilla wrote the biblical Epistle to the Hebrews. A first book, Priscilla, Author of the Epistle to the Hebrews, was published in the late 1960s. Since that time additional relevant material has been published, some of it related to the Dead Sea Scrolls. This book is an update which takes such material into account.
Jacob A. Loewen's recent book The Bible in Cross-Cultural Perspective covers a multitude of subjects—heaven, earth, the afterlife, the spirit world, exorcism, among them. Of particular interest to Priscilla Papers readers is chapter 9, "Images of God: Male, Female, or Both" (pp. 109-16). It is packed with wonderful information regarding inclusive language.
Craig Keener's 1-2 Corinthians is a wonderfully engaging and easily read commentary on Paul's letters to the Corinthians. It is tightly packed with documented information from ancient sources on the historical/social/cultural setting of Corinth in Paul's time. This information enables the reader to understand more clearly the intentions behind Paul's letters to the Corinthians, underlining how the cultural emphasis on rhetoric in Paul's time shaped his writings.
Alan Johnson's work on 1 Corinthians is particularly engaging. His reference notes and bibliography provide an entry into further study if desired, all while maintaining an appealing readable style. He deftly bridges the two horizons of the Greco-Roman culture and American culture.
Seventeen essays explore how the biblical Miriam, Mary the mother of Jesus, Mary of Bethany, and Mary Magdalene were portrayed in the early Christian era, also touching on Jewish and Muslim interpretations.
Grace is Not Faceless focuses on Mary, mother of Jesus: her presentation in Scripture and reception throughout church history, with careful attention to the poetry of Isaiah and that of subsequent writers.