Christians are used to hearing about Joseph and Mary, usually around Christmas. Then, they’re the supporting cast, and Jesus is the focus. They certainly don’t often come up in conversations about Christian marriage. Perhaps they should. If we pay attention, Joseph and Mary point us toward what makes a good marriage.
Most evangelicals are accustomed to the Mary of icons with an emotionless face, the Mary of statues draped in a powder blue robe, and the Mary of piety who quietly and submissively obeys orders. And, if you are like me, you have been nurtured in a faith that, intentionally or not, ignores Mary.
I recently wrote a book about marriage. It is a mix of personal narrative, cultural commentary, and biblical reflection. As it turns out, you cannot write about marriage from a Christian perspective without addressing texts such as this one.
Gifts and callings are hand-selected by God, for you, to bless his church and impact the world around you. Yet sometimes, even with this knowledge, we can experience a spirit of fear regarding what God has called us to do.
This is the third in our sermon series called “Breaking the Silence,” where we’ve talked about some hard issues, such as mental health, suicide, and now, domestic violence. These three things are somewhat interconnected, and one thing they have in common is that they cross racial, gender, and socioeconomic lines.
Some of us come from traditions where you don’t ask questions of the text. If you ask questions, that means you are questioning God, and that’s not allowed. I want to expose you to the two typical ways this passage has been understood.
Several months ago, I was invited to preach on Ephesians 5:21–6:9. I was thrilled—finally, there’d be a sermon on this passage that I actually approved of, even if I had to be the one to give it (public speaking is not my thing).
As we walk with Hannah, we see how she encounters and discovers who God says she is. This is a message not just for moms, but for all of us. Every day of our lives, we are asked to fit into a certain shape, but we don’t always fit the mold.
Luke 1:46–55 is both a beautiful hymn sung to glorify God and an interpretive puzzle. This text, widely known as the Magnificat, is one of several songs Luke uses at a crucial moment in the birth narratives in order for characters to explain the amazing ways in which God is moving. Luke includes it in his narrative to foreshadow the ministry of reversal Jesus will bring, first to Israel and eventually to all people. It is a praise hymn made up of a combination of OT allusions—more specifically, allusions to the Greek translation of the OT commonly referred as the Septuagint and abbreviated LXX. What follows is a study of the LXX allusions that combine to make up this praise hymn—allusions which have the cumulative effect of presenting Mary as a key character in the continuation of God’s OT promises and plan.