Welcome to CBE’s Library

Tip: to find an exact phrase or title, enclose it in quotation marks.

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“Mr. President, how long must women wait for liberty?”

This was the question stretched across banners in front of the White House, distributed on pamphlets, and spoken all over the country in the 1910s. Inez Milholland, an icon of the women’s suffrage movement, first uttered them. They were her last words before she collapsed, and soon died, while campaigning for women’s suffrage through the western United States. This is also the question that pervaded my mind as I watched the film Iron Jawed Angels.

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Unwarranted criticisms by evangelical scholars of Deborah’s leadership in Judg 4–5 continue to devalue her work as “abnormal,” “wrong,” something done only in private or even in subservience to Barak. Some rabbinical scholars go so far as to brand her an arrogant woman who deserves God’s punishment. In contrast, this paper argues that a close reading of her story and song reveals an ’eshet hayil, a “woman of valor” (cf. Ruth 3:11, Prov 12:4, 31:10). This is evident not only in the direct references to her, but also in the narratives regarding her associates Barak and Jael.

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The Song of Songs stands alone among the books of the Jewish and Christian canons as an unabashed exploration of sensual human love. 

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King-James-Only advocates have taken a personal preference, elevated it to a theological absolute, and used it to divide liberals from conservatives, believers from unbelievers, servants of God from minions of Satan. Critics of inclusive language in Bible translation are doing the very same thing with their reckless, blanket denunciations of the TNIV.

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Now Deborah, a prophetess, the wife of Lappidoth, was judging Israel at that time. She used to sit under the palm tree of Deborah between Ramah and Bethel in the hill country of Ephraim; and the sons of Israel came to her for judgment. (Judges 4:4–5, NASB)

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Despite the positive reviews I had heard of The Nativity Story, I went to the movie prepared to be a critic. After all, I thought, it was my duty to see through the cinematic gimmicks and factual errors to produce a film review. Though I came to the film a bit cynically, I left feeling uplifted and moved.

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Coming of Age is a result of the Young Male Spirituality Project, a joint effort of Lutheran Men in Mission, the Evangelical Lutheran Church in America, and Luther Seminary (St. Paul, Minn.) to find out why young men are staying away from the church in droves, a pattern that surveys are showing is increasingly alarming.

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In the first recorded crime in the Bible, brother murders brother: Cain slays Abel out of jealousy. The pages of scripture that follow are filled with stories of difficult, often destructive relationships between siblings: Isaac and Ishmael, Esau and Jacob, Rachel and Leah, Joseph and his brothers. Certainly the most sanguinary and cold-blooded display of fratricide occurs in the book of Judges, when Abimelech massacres his seventy brothers! From the beginning of human history, one of the closest of family relationships is fraught with the dangers of alienation and violence.

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The new TNIV Bibles for women and men promise to help Christians gain an identity and maturity in Christ: the women’s Bible, entitled True Identity: The Bible for Women, includes the cover description, “becoming who you are in Christ,” and the men’s Bible, entitled Strive: The Bible for Men, says, “becoming the man Christ wants you to be.”

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Sure, Jesus used farmers to teach the disciples, but chickens? Little did producer DreamWorks and directors Nick Park and Peter Lord know when they released Chicken Run (2000) that their movie would be a modern parable.

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