Christians are used to hearing about Joseph and Mary, usually around Christmas. Then, they’re the supporting cast, and Jesus is the focus. They certainly don’t often come up in conversations about Christian marriage. Perhaps they should. If we pay attention, Joseph and Mary point us toward what makes a good marriage.
When I have heard discussion about love and respect it is often applied as gender specific: a woman needs love, a man needs respect. But it isn’t that cut and dry. Men need to be loved as well, and women need to be respected, too.
Peter states what should be common sense: husbands, live with your wives in a considerate and respectful manner. He then goes on to say that if a husband does not do this, his relationship with God will suffer.
Most evangelicals are accustomed to the Mary of icons with an emotionless face, the Mary of statues draped in a powder blue robe, and the Mary of piety who quietly and submissively obeys orders. And, if you are like me, you have been nurtured in a faith that, intentionally or not, ignores Mary.
Despite the positive reviews I had heard of The Nativity Story, I went to the movie prepared to be a critic. After all, I thought, it was my duty to see through the cinematic gimmicks and factual errors to produce a film review. Though I came to the film a bit cynically, I left feeling uplifted and moved.
Greater awareness of Mary Magdalene’s exceptional role in the events surrounding Jesus’ death, burial, and resurrection and her leadership in the early church should not only help us do justice to her memory but also inspire us in our struggle for gender equality.
Luke 1:46–55 is both a beautiful hymn sung to glorify God and an interpretive puzzle. This text, widely known as the Magnificat, is one of several songs Luke uses at a crucial moment in the birth narratives in order for characters to explain the amazing ways in which God is moving. Luke includes it in his narrative to foreshadow the ministry of reversal Jesus will bring, first to Israel and eventually to all people. It is a praise hymn made up of a combination of OT allusions—more specifically, allusions to the Greek translation of the OT commonly referred as the Septuagint and abbreviated LXX. What follows is a study of the LXX allusions that combine to make up this praise hymn—allusions which have the cumulative effect of presenting Mary as a key character in the continuation of God’s OT promises and plan.
Christian tradition is sometimes remarkable for the liberties it takes with the reputations of its saints, and in this regard no example springs so readily to mind as that of Mary Magdalene. Tradition has had its ﬁeld day with the reputation of this once deeply troubled woman.