Please know that each issue of Priscilla Papers is a team effort. In addition to CBE staff both female and male, our team of peer reviewers consists of six women and five men. Women influence every item we publish.
This issue of Priscilla Papers opens with a sermon by Tracey Stringer, Pastor of Spiritual Formation at New City Church of Los Angeles. It is a Mother’s Day sermon, and we have printed it here so it will be available in time for Mother’s Day.
This issue of Priscilla Papers includes an article by Abigail Dolan titled, “Imagining a Feminine God.” Abby’s article was among the winners of CBE International’s 2017 student paper competition. The other winners, also published here, are Haley Gabrielle and Nikki Holland. In this issue you will also read articles on 1 Peter 3 by John Nugent and on wealthy women of the NT era by Margaret Mowczko.
Someone ought to count the women of the Bible. More to the point, someone ought to count them accurately. I mention this because a quick Internet search reveals significant disparity in the various numbers people give for the women in the Bible. I should not criticize, however, for several difficulties make such counting an impossible task.
The cover photo shows an icon in which a group of church leaders display a rather large banner containing the opening lines of the Nicene-Constantinopolitan Creed of AD 381. Kevin Giles explains the Trinitarian Christology of this creed in the first article of this issue of Priscilla Papers.
Luke 1:46–55 is both a beautiful hymn sung to glorify God and an interpretive puzzle. This text, widely known as the Magnificat, is one of several songs Luke uses at a crucial moment in the birth narratives in order for characters to explain the amazing ways in which God is moving. Luke includes it in his narrative to foreshadow the ministry of reversal Jesus will bring, first to Israel and eventually to all people. It is a praise hymn made up of a combination of OT allusions—more specifically, allusions to the Greek translation of the OT commonly referred as the Septuagint and abbreviated LXX. What follows is a study of the LXX allusions that combine to make up this praise hymn—allusions which have the cumulative effect of presenting Mary as a key character in the continuation of God’s OT promises and plan.