The third edition of this groundbreaking work brings together scholars firmly committed to the authority of Scripture to explore historical, biblical, theological, cultural, and practical aspects of this discussion.
The FNV is a dynamic equivalence translation that captures the simplicity, clarity, and beauty of Native storytellers in English, while remaining faithful to the original language of the New Testament. Whether you are Native or not, you will experience the Scriptures in a fresh and new way.
This interdisciplinary volume of text and art offers new insights into various unsolved mysteries associated with Mary Magdalene, Mary of Bethany, Mary the Mother of Jesus, and Miriam the sister of Moses.
Scholars are divided in their views about the teachings on riches in 1 Timothy. Evidence that has been largely overlooked in NT scholarship appears in Ephesiaca by Xenophon of Ephesus and suggests that the topic be revisited. In this volume, Hoag introduces Ephesiaca and employs a socio-rhetorical methodology to explore it alongside other ancient evidence and five passages in 1 Timothy (2:9 15; 3:1 13; 6:1 2a; 6:2b 10; and 6:17 19). His findings augment our modern conception of the Sitz im Leben of the wealthy in Ephesus.
First-century Corinth and its challenges were not so different from our own. Upwardly mobile Christians facing radically diverse ethnic, religious, economic and social conditions. The church divided over issues of leadership and authority, sexual morality, gender and worship, marriage and divorce. Sound familiar? Yet as Alan Johnson highlights in this excellent commentary, in the midst of this detailed, practical letter to a church in crisis Paul has penned one of the greatest paeans to love ever written.
Despite his special pastoral relationship with the church in Corinth, Paul confronted numerous local and cultural problems needing to be addressed. Utilizing a range of ancient sources, Craig Keener explains these problems and how Paul's arguments would have been communicated to a first-century audience.