Jacob A. Loewen's recent book The Bible in Cross-Cultural Perspective covers a multitude of subjects—heaven, earth, the afterlife, the spirit world, exorcism, among them. Of particular interest to Priscilla Papers readers is chapter 9, "Images of God: Male, Female, or Both" (pp. 109-16). It is packed with wonderful information regarding inclusive language.
Despite his special pastoral relationship with the church in Corinth, Paul confronted numerous local and cultural problems needing to be addressed. Utilizing a range of ancient sources, Craig Keener explains these problems and how Paul's arguments would have been communicated to a first-century audience.
Alan Johnson's work on 1 Corinthians is particularly engaging. His reference notes and bibliography provide an entry into further study if desired, all while maintaining an appealing readable style. He deftly bridges the two horizons of the Greco-Roman culture and American culture.
Craig Keener's 1-2 Corinthians is a wonderfully engaging and easily read commentary on Paul's letters to the Corinthians. It is tightly packed with documented information from ancient sources on the historical/social/cultural setting of Corinth in Paul's time. This information enables the reader to understand more clearly the intentions behind Paul's letters to the Corinthians, underlining how the cultural emphasis on rhetoric in Paul's time shaped his writings.
First-century Corinth and its challenges were not so different from our own. Upwardly mobile Christians facing radically diverse ethnic, religious, economic and social conditions. The church divided over issues of leadership and authority, sexual morality, gender and worship, marriage and divorce. Sound familiar? Yet as Alan Johnson highlights in this excellent commentary, in the midst of this detailed, practical letter to a church in crisis Paul has penned one of the greatest paeans to love ever written.
This book reveals new early Christian evidence that Mary was remembered as a powerful role model for women leaders―women apostles, baptizers, and presiders at the ritual meal. Early Christian art portrays Mary and other women clergy serving as deacon, presbyter/priest, and bishop.
In this book Debbie Blue looks closely at Hagar (mother of Islam), Esther (Jewish heroine), and Mary (Christian matriarch)—and finds in them unexpected and inviting new ways of navigating faith and life.
This interdisciplinary volume of text and art offers new insights into various unsolved mysteries associated with Mary Magdalene, Mary of Bethany, Mary the Mother of Jesus, and Miriam the sister of Moses.
Seventeen essays explore how the biblical Miriam, Mary the mother of Jesus, Mary of Bethany, and Mary Magdalene were portrayed in the early Christian era, also touching on Jewish and Muslim interpretations.