Every time discouragement sets in because of the slow progress of egalitarian ideas, we ought to be able to reach over our shoulders and pull from the shelf a book such as Sapinsley's. The story of Mrs. Packard (1816-1897), set in the American midwest, should remind all of us how much has been accomplished by our forebears.
In 1991 Lutz met with leaders of two other global women's movements, the Women's Commission of the World Evangelical Fellowship and the Lausanne Women's Network, to see how they could work together. A book committee was set up to include representatives of the three groups, and Lutz was commissioned to do the writing.
Women in the Church is a dangerous book which should not have been published because, while it appears to be scholarly, it actually teems with historical and theological errors and also emotional subjectivity. Alan G. Padgett has provided a critical rebuttal to Women in the Church in the Winter 1997 issue of Priscilla Papers.
Palmer's underlying thesis is that the promise of the Father to pour out his Spirit on all flesh, male and female, and that sons and daughters would prophesy, relates to the role of women in the church today.
Forbes now is in secular academia, teaching rhetoric in writing, and she's turned her research attention to selected women who have unwittingly wielded a great deal of influence if not power, particularly in the twentieth century: devotional writers or compilers.
Slaves, Women and Homosexuals is a hermeneutical tour de force. Webb severs ties with traditional hermeneutical textbooks by offering intra-scriptural and extrascriptural criteria and a case study approach (akin to W. M. Swartley's Slavery, Sabbath, War & Women) rather than a step-by-step methodology.
Daughters of Islam: Building Bridges with Muslim Women is a wonderfully relevant book for Christians who have little knowledge of Islam or the people who subscribe to it. This book helps readers peer into the hearts of Muslim women, to perceive what they feel and think, and to understand how they live.