The world places conditions on who may be welcomed, and even citizens of the most “civilized” nations welcome some and struggle to tolerate others. But the church is called to welcome all, not because of any system of classification or merit, but “because God has welcomed them” (Rom. 14:1ff; 15:7).
Most evangelicals are accustomed to the Mary of icons with an emotionless face, the Mary of statues draped in a powder blue robe, and the Mary of piety who quietly and submissively obeys orders. And, if you are like me, you have been nurtured in a faith that, intentionally or not, ignores Mary.
Despite the positive reviews I had heard of The Nativity Story, I went to the movie prepared to be a critic. After all, I thought, it was my duty to see through the cinematic gimmicks and factual errors to produce a film review. Though I came to the film a bit cynically, I left feeling uplifted and moved.
At its core, The Blue Parakeet is a book about biblical interpretation. McKnight upholds the authority of Scripture, seeing the Bible as God’s story—a story which God tells us so “we can enter into a relationship with him, listen to him, and live out his Word in our day and in our ways."
Growing up in the church, “I didn’t sense that women were oppressed,” author and seminary professor Cleophus J. LaRue admitted. The Baptist church he attended was made up of 75% women, and they served in many leadership positions.
All of a sudden, it seemed that paper crowns were everywhere in the Christian community, distributed to women with a discussion about how we are all princesses. It was a candy-coated, conviction-free reminder I got every time I walked into a women’s discipleship group, youth ministry, or Christian bookstore—you are a princess because your Father is a king.