Seventeen essays explore how the biblical Miriam, Mary the mother of Jesus, Mary of Bethany, and Mary Magdalene were portrayed in the early Christian era, also touching on Jewish and Muslim interpretations.
Answering his title question in the affirmative, Giles forcefully argues that “headship teaching can encourage and legitimate domestic abuse and it must be abandoned if domestic abuse is to be effectively countered in our churches.”
Intellectually we know God is beyond gender; however, using only masculine pronouns sends image-shaping messages to our hearts and minds that are incorrect. By neglecting the feminine imagery for God, we have distorted our understanding of God.
Have you heard the claim that relationships between men and women should image the "eternal subordination" in the Trinity? If so, read this book. With a profound, concise course in Trinitarian theology and hermeneutics, using two case studies to exemplify points, The Trinity & Subordinationism is highly recommended.
Jacob A. Loewen's recent book The Bible in Cross-Cultural Perspective covers a multitude of subjects—heaven, earth, the afterlife, the spirit world, exorcism, among them. Of particular interest to Priscilla Papers readers is chapter 9, "Images of God: Male, Female, or Both" (pp. 109-16). It is packed with wonderful information regarding inclusive language.
This book makes a distinct contribution to the current literature on biblical teachings about men and women in marriage and as co-workers in the service of Christ. The three strands in Wright's book refers to man, woman, and God.
Alan Johnson's work on 1 Corinthians is particularly engaging. His reference notes and bibliography provide an entry into further study if desired, all while maintaining an appealing readable style. He deftly bridges the two horizons of the Greco-Roman culture and American culture.
Grace is Not Faceless focuses on Mary, mother of Jesus: her presentation in Scripture and reception throughout church history, with careful attention to the poetry of Isaiah and that of subsequent writers.