Confronted with the breakdown of the traditional family, we as Christians wonder how to minister to people in non-traditional family structures, and we also wonder what standards we should uphold in our own families.
Seventeen essays explore how the biblical Miriam, Mary the mother of Jesus, Mary of Bethany, and Mary Magdalene were portrayed in the early Christian era, also touching on Jewish and Muslim interpretations.
Before we get too far into this sermon, I need to say one thing: my brother had it coming. So none of this is my fault. Well, not entirely my fault. It might be his fault. Or my parents’ fault, even, for the whole thing started because they had the audacity to sell their house. The one we had was fine. I had my own space there, away from my brothers—a nice reading spot, a shelf full of books, and plenty of room for my favorite pastime: minding my own business.
As we walk with Hannah, we see how she encounters and discovers who God says she is. This is a message not just for moms, but for all of us. Every day of our lives, we are asked to fit into a certain shape, but we don’t always fit the mold.
In his presentation of the Gospel of Jesus Christ, Luke introduces certain individuals who responded appropriately to the revelation of God in Jesus. One such person was Mary of Nazareth. A closer look at a few familiar passages, the Annunciation and the Magnificat (Lk 1:26-56), reveals certain characteristics of biblical spirituality that are exemplified in Mary.
Women in the Church is a dangerous book which should not have been published because, while it appears to be scholarly, it actually teems with historical and theological errors and also emotional subjectivity. Alan G. Padgett has provided a critical rebuttal to Women in the Church in the Winter 1997 issue of Priscilla Papers.
Luke 1:46–55 is both a beautiful hymn sung to glorify God and an interpretive puzzle. This text, widely known as the Magnificat, is one of several songs Luke uses at a crucial moment in the birth narratives in order for characters to explain the amazing ways in which God is moving. Luke includes it in his narrative to foreshadow the ministry of reversal Jesus will bring, first to Israel and eventually to all people. It is a praise hymn made up of a combination of OT allusions—more specifically, allusions to the Greek translation of the OT commonly referred as the Septuagint and abbreviated LXX. What follows is a study of the LXX allusions that combine to make up this praise hymn—allusions which have the cumulative effect of presenting Mary as a key character in the continuation of God’s OT promises and plan.