Welcome to CBE’s Library

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Christians are used to hearing about Joseph and Mary, usually around Christmas. Then, they’re the supporting cast, and Jesus is the focus. They certainly don’t often come up in conversations about Christian marriage. Perhaps they should. If we pay attention, Joseph and Mary point us toward what makes a good marriage.

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From its earliest times, the church has struggled to be a space in which women and girls can think positively about their identities as Christians and the reality of their female bodies. 

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Luke 1:46–55 is both a beautiful hymn sung to glorify God and an interpretive puzzle. This text, widely known as the Magnificat, is one of several songs Luke uses at a crucial moment in the birth narratives in order for characters to explain the amazing ways in which God is moving. Luke includes it in his narrative to foreshadow the ministry of reversal Jesus will bring, first to Israel and eventually to all people. It is a praise hymn made up of a combination of OT allusions—more specifically, allusions to the Greek translation of the OT commonly referred as the Septuagint and abbreviated LXX. What follows is a study of the LXX allusions that combine to make up this praise hymn—allusions which have the cumulative effect of presenting Mary as a key character in the continuation of God’s OT promises and plan.

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We invite you to journey with our writers as they rediscover Mary through theology, personal reflection, and real-world experiences with those who can give us insight into Mary.

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I recently saw a meme of the Virgin Mary with the words “well-behaved women make history” on it. The meme was a pushback on the pithy saying, “well-behaved women rarely make history.” 

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Christianity began when an angel showed up at a young, unwed girl’s house, announcing that she’d been honored with the privilege of carrying a baby boy—a boy who would become the hope of the nations. God chose a young, unwed mother to be mother of the One who would usher in an upside down kingdom, a kingdom where God esteems people quite differently than humanity ever has before.

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Despite the positive reviews I had heard of The Nativity Story, I went to the movie prepared to be a critic. After all, I thought, it was my duty to see through the cinematic gimmicks and factual errors to produce a film review. Though I came to the film a bit cynically, I left feeling uplifted and moved.

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Most evangelicals are accustomed to the Mary of icons with an emotionless face, the Mary of statues draped in a powder blue robe, and the Mary of piety who quietly and submissively obeys orders. And, if you are like me, you have been nurtured in a faith that, intentionally or not, ignores Mary.

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One Sunday, about a year ago, I was visiting a new church. It was December, and the pastor was preaching about Mary. I was surprised by how well he positioned Mary as an equal to the congregation—neither meek nor superhuman.

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This interdisciplinary volume of text and art offers new insights into various unsolved mysteries associated with Mary Magdalene, Mary of Bethany, Mary the Mother of Jesus, and Miriam the sister of Moses.

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