Now Deborah, a prophetess, the wife of Lappidoth, was judging Israel at that time. She used to sit under the palm tree of Deborah between Ramah and Bethel in the hill country of Ephraim; and the sons of Israel came to her for judgment. (Judges 4:4–5, NASB)
Christian tradition is sometimes remarkable for the liberties it takes with the reputations of its saints, and in this regard no example springs so readily to mind as that of Mary Magdalene. Tradition has had its ﬁeld day with the reputation of this once deeply troubled woman.
Proverbs depicts the reality of its day, but provides moral principles in the context of that reality that actually challenge many of its society’s ideals. Yet both the society and moral principles depicted in Proverbs provide an interesting contrast to many cultures before and after them.
The best example of a woman in leadership over Israel is Deborah, one of the judges, all of whom were responsible for keeping the Promised Land free of foreign domination. Judges 4 is the prose account of Israel’s victory over the Canaanites from Hazor. Judges 5 is the “Song of Deborah” which tells the same story in poetic form.
The Bible sets forth an ideal and calls the ideal woman an eshet-chayil, which is the Hebrew for a “virtuous woman” (KJV) or a “wife of noble character” (NIV). This Hebrew expression occurs only three times in the Old Testament, but a study of these three passages is likely to reveal what the Bible supports as an ideal of Christian womanhood.
A Christian pastor and national trainer on strategies to prevent and end situations of domestic violence within faith communities reflects on the most frequently asked question he receives from male clergy and congregation members. He also challenges the commonly held notion that males have been granted special divine privileges to assume headship over females.
Mary Magdalene appears in all four gospels as a witness of Jesus’ death, burial, and resurrection. Luke 8:2 explains that this particular Mary was called Magdalene, and all four evangelists consistently identify her by the name “Mary Magdalene.” (Matt 27:56, 61; 28:1; Mark 15:40, 47; 16:1; Luke 24:10; John 19:25; 20:1, 18).
Over the past forty years, the remarkable presence of women in Prov 1–9 has drawn an equally remarkable number of studies, a gift from the rise of feminism and women in the academy. The combination of these two forces brings attention to the once invisible women in the text, figures generally overlooked or ignored as males have read and interpreted the text for other males. Now, however, the text again gives birth to these marginalized figures, providing them with bodies, eyes, ears, hands, feet, and especially, mouths for speech. Of 256 verses in Prov 1–9, 132 specifically mention or speak about women and another seventeen verses either introduce these texts or draw conclusions from them;hence fifty-eight percent of Prov 1–9. Yet, ironically, all this attention to women comes because of the writer’s interest and concern for young men (1:4), with a secondary appeal to older, wise men (1:5). For the sages, it would seem that the way to a man’s heart is not through food, but through women. After all, the author seems to assume, what better way to engage the attention of a young man than by speaking about or describing women?
This paper argues that a close reading of Deborah's story and song reveals an ’eshet hayil, a “woman of valor” (cf. Ruth 3:11, Prov 12:4, 31:10). This is evident not only in the direct references to her, but also in the narratives regarding her associates Barak and Jael.
Digging deeper into Prov 31:10–31 in context reveals it was never intended to be a how-to manual for becoming the perfect woman. In the context of Proverbs, this passage is the parting mnemonic incentivizing young men to pursue wisdom and marry wisely.