Luke 1:46–55 is both a beautiful hymn sung to glorify God and an interpretive puzzle. This text, widely known as the Magnificat, is one of several songs Luke uses at a crucial moment in the birth narratives in order for characters to explain the amazing ways in which God is moving. Luke includes it in his narrative to foreshadow the ministry of reversal Jesus will bring, first to Israel and eventually to all people. It is a praise hymn made up of a combination of OT allusions—more specifically, allusions to the Greek translation of the OT commonly referred as the Septuagint and abbreviated LXX. What follows is a study of the LXX allusions that combine to make up this praise hymn—allusions which have the cumulative effect of presenting Mary as a key character in the continuation of God’s OT promises and plan.
Christians are used to hearing about Joseph and Mary, usually around Christmas. Then, they’re the supporting cast, and Jesus is the focus. They certainly don’t often come up in conversations about Christian marriage. Perhaps they should. If we pay attention, Joseph and Mary point us toward what makes a good marriage.
We know that when we say “yes” to God’s call to ministry and when we persist in that ministry despite opposition and hardship, we’ll likely be hurt. We’ll be grieved by those we love and long to serve.
God called Mary to something much greater than her social location. I find it comforting to note that she was called “highly favored” before she said yes to God. It wasn’t her obedience that made her highly favored.
Disruptions are inevitable in this life. We face circumstances and events in our day-to-day lives that feel like giant mountains, road blocks, and dead ends. Bad things happen to us, our families, and the people we love.
One Sunday, about a year ago, I was visiting a new church. It was December, and the pastor was preaching about Mary. I was surprised by how well he positioned Mary as an equal to the congregation—neither meek nor superhuman.